ADRIÁN VILLAR ROJAS
October 22nd 2017 – May 13th 2018
The Geffen Contemporary at MOCA, 250 South Grand Avenue, Los Angeles
MOCA presents Adrián Villar Rojas: The Theater of Disappearance, a site-specific installation inside The Geffen Contemporary at MOCA’s warehouse space. Villar Rojas (b. 1980, Rosario, Argentina) has built a singular practice by creating environments and objects that seem to be in search of their place in time. Villar Rojas’s interventions beckon viewers to consider fragments that exist in a slippery space between the future, the past, and an alternate reality in the present. With his post-human artworks, Villar Rojas posits the question: What happens after the end of art?
Villar Rojas’s method is emphatically site-specific, requiring a deployment of project-based teams who work on-site for extended periods of time to fabricate the installations. Long before the beginning of a project, he makes a series of site visits to immerse himself in the social, cultural, geographical, and, above all, institutional environment where he will work. This inherently nomadic process echoes his own personal trajectory as an itinerant artist, one of constant travel and engagement with a diversity of sites across the globe. Villar Rojas’s approach is two-pronged. First, before beginning to insert objects into a given space, he considers the ways in which a space might be modified or adapted in relation to the incoming exhibition. Employing a keen sense of spatial awareness, he considers how visitors move through the space, their relationship to scale, and the affective potential of lighting. This sensitivity to the poetics of space is at the core of Villar Rojas’s practice, and no work can begin on a site before these considerations are taken into account, resulting in modifications to the existing space.
Image Courtesy of
The Artist, Kurimanzutto, Mexico City
and Marian Goodman Gallery, New York / Paris / London
Studio Michel Zabé