Photographs by Li Hui
as appeared in WHITELIES INDEX
THE OPEN FOLD
Photographs by Ziyi Le
as appeared in WHITELIES INDEX
THE OPEN FOLD
In December 2024 the CHANEL Métiers d’Art Show was staged in Hangzhou, China—not merely as a runway event—but as a sensory and environmental composition.
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Photographs by Mengyu Zhou
as appeared in the Closure issue
of Whitelies Magazine
Photographs by Olivier Kervern
as appeared in the Closure issue
of Whitelies Magazine
Photographs by Osamu Yokonami
Styling by Mana Yamamoto
Art Direction by Kevin Pfaff
Model Hiromi Ando
Photographs by Jun Yasui
Styling by Shotaro Yamaguchi
Art Direction by Kevin Pfaff
Photographs by Stefan Dotter
Model Marina @ donna Models
Make-up by Rie Shiraishi
using Dr. Hauschka
CHANEL Haute Couture Fall-Winter 2023/24
Photographs by Stefan Dotter
Styling by Dimitri Riviere
Art Direction by Kevin Pfaff
Artworks by Katrien de Blauwer
as appeared in the Closure issue
of Whitelies Magazine
Photographs by Lena C. Emery
as appeared in the Closure issue
of Whitelies Magazine
Photographs by Tom Baril
as appeared in the Closure issue
of Whitelies Magazine
Photographs by Stefan Dotter
as appeared in the Closure issue
of Whitelies Magazine
By exposing the inner form of thought, we create the possibility to remember physically, what is invisible. By going this path, we can contemplate on what actually exists and think differently.
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Based around an exploration of multi-purpose transformations and innovative cut, the avantgarde, yet utilitarian, label DZHUS by Ukrainian designer Irina Dzhus has sparked international recognition over the years.
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WHITELIES columnist Shannon May Powell shares her thoughts on Memory.
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An homage to the 1964 Japanese New Wave film “Woman in the Dunes” (by Hiroshi Teshigahara) as appeared in the Identity issue of Whitelies Magazine.
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A conversation with Jo Stenuit, Design Director at Mazda Motor Europe, as appeared in the Identity issue of Whitelies Magazine.
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