Photographs by Zheng Lu Xinyuan
as appeared in WHITELIES INDEX
THE OPEN FOLD.
Photographs by Li Hui
as appeared in WHITELIES INDEX
THE OPEN FOLD.
Photographs by Ziyi Le
as appeared in WHITELIES INDEX
THE OPEN FOLD.
Photographs by Mengyu Zhou
as appeared in the Closure issue
of Whitelies Magazine.
Photographs by Olivier Kervern
as appeared in the Closure issue
of Whitelies Magazine.
Photographs by Stephane Sednaoui
as appeared in the Closure issue
of Whitelies Magazine.
Artworks by Katrien de Blauwer
as appeared in the Closure issue
of Whitelies Magazine.
Photographs by Lena C. Emery
as appeared in the Closure issue
of Whitelies Magazine.
Photographs by Tom Baril
as appeared in the Closure issue
of Whitelies Magazine.
Photographs by Stefan Dotter
as appeared in the Closure issue
of Whitelies Magazine.
An homage to the 1964 Japanese New Wave film “Woman in the Dunes” (by Hiroshi Teshigahara) as appeared in the Identity issue of Whitelies Magazine.
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A photo essay by Nobuyoshi Araki’s only assistant Sakiko Nomura as appeared in the Identity issue of Whitelies Magazine introduced by Sascha Behrendt.
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A conversation with Japanese photographer, geisha, musician, performer, and mother, Hanayo as appeared in the Patience issue of Whitelies Magazine.
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A photographic essay by Vasantha Yogananthan introduced by Ayla Angelos as appeared in the Patience issue of Whitelies Magazine.
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A photographic exploration by Charlotte Lapalus as appeared in the Patience issue of Whitelies Magazine.
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Photographs by Nicole Maria Winkler introduced by Elaine M.L. Tam as appeared in the Patience issue of Whitelies Magazine.
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“Immortal Mushroom” is the title of the debut book by photographer Samuel Bradley and writer Kat Chan, where they take us on a journey through a forgotten world formerly known as Zhongdian County in Yunnan.
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A conversation with Stephane Sednaoui as appeared in the Permanence issue of Whitelies Magazine — revised version by Sascha Behrendt.
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